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Maria Nordman (born 1943, Görlitz) is a German-American sculptor and conceptual artist. ==Life and work== Nordman immigrated to the USA with her family when she was young. She became part of Southern California's Light and Space movement. Her art developed in the late 1960s from ephemeral recordings of sights and sounds around Los Angeles, with an "idealistic" desire to create democratic, accessible works. Based in Santa Monica, she became known in California for her light-filled art installations. In the late 1980s, Nordman erected a small portable house at the 59th Street entrance to Central Park behind the William Tecumseh Sherman Statue, made of plain wood and equipped with seats.〔Holland Cotter (October 2, 1992), (Art in Review: Maria Nordman ) ''New York Times''.〕 In 1990 she first exhibited in New York, with ''Exhibition of Permanent Transience'' where she created a reflective experience using glass panels and still-life objects in the Dia Center for the Arts.〔 In 2011, Nordman's 1967 work ''Filmroom: Smoke'' was displayed as part of a retrospective of Los Angeles art, at the Los Angeles County Museum of Art. The work consisted of two films, one from a static camera and the other handheld, of a couple smoking sitting in an easy chair on a beach. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Maria Nordman」の詳細全文を読む スポンサード リンク
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